President Richard Nixon’s Annoncement of the Vietnam Peace Agreement January 23, 1973 Original Song, Live Sequencing. Gear used: Ableton Live 8 Novation Launchpad M-Audio Axiom 61 Thanks for watching. www.soundcloud.com/sebastianapolinario

Una breve descripción a los conceptos básicos del programa. En ésta entrega: Vista ARREGLO. Organizando un PROYECTO. Introducción a las AUTOMATIZACIONES de canales: Volúmen y Paneo.
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Best answer:

Answer by scpjrprius
Fl-Studio 10 is another loop program like Ableton and it’s under $ 100 bucks.

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so…. in diesem 2. und letzten teil meines dubstep bass tutorials zeige ich euch mit welchen effekten ihr das ganze kräftiger machen könnt. zusätzlich erkläre ich euch noch wie man einen frequency splitter baut! viel spassssssss!
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SetList 1) Maliniwoula (original from Super Djata Band/ Bamako Mali) 2:30 min 2) Scratchbattle (Drums, Turntables, Beatbox) 10:38 min 3) GnawaBounce (Electro/analog Bouncing) 20:15 min 4) Sidi Mousa (Gnawa Jazz Electro Trance) 27:30 5) Der Rumaene (Live Dubstep/ Drum And BAss) 39:40 min 6) FINALE!!! (Drums/Bucket/Scat) 46:00 min Arne Mueller (BucketDrums + Percussion + EFX + Turntables + Ableton Live) Jan Bartholdt (HybridDrumset + EFX + Ableton Live) Arystan Petzold (Trumpet + Beatbox + Voice + Guimbri + Percussion + EFX + AbletonLive) David Campesino (Visuals) Live African/Ethno/Jazz/Trance/Hip-Hop/DnB/Electro Project from GER/IT (Berlin/Dresden/Orvieto)
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www.mjtutoriels.com Extrait Gratuit du cours L’INGE-ZIQUE – PRODUCTION CLUB ELECTRO … Dans cette Saga vidéo, je vais vous montrer comment se déroule une Production Club Electro de A a Z : Depuis la recherche d’une idée initiale, jusqu’aux phases avancées de Production, d’arrangements, de Mixage et de Mastering. Extrait Promo du tutoriel L’INGE-ZIQUE – PRODUCTION CLUB ELECTRO – VOIR LA SUITE SUR www.mjtutoriels.com – Des centaines de tutoriels MAO et Production Musicale, en vidéo et en Français ! Créez votre Compte Gratuit sur : www.mjtutoriels.com Des centaines d’extraits Gratuits dispo !
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In this 2008 exclusive Future Music video Joel takes you step-by-step though his live set-up, explaining the balance between prerecorded and live elements.
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Using Ableton Live and AAS Ultra Analog with a Korg NanoPad2 you can’t see the pedals i have hooked up to trigger my doubling and delay effects. its all in the wrist. memorecks.ca
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SanEll on Facebook: www.facebook.com
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APC40 Mashup created by Chris from Ithaca Audio Tracks used: Isaac Hayes – Theme from Shaft John Williams – The Imperial March Leftfield – Phat Planet Chemical Brothers – Galvanized Sugarhill Gang – Apache (Switch Remix – A bit patchy) Fatboy Slim – Praise You Doug Wood Band – Drag Racer (BBC Snooker Theme) Daft Punk – Harder, Better, Faster, Stronger The Streets – Push things forward ////// Ithaca Audio is a music composition and sound design company www.ithacaaudio.com http www.facebook.com An extended mix of the mashup is now up on SoundCloud with a free download: soundcloud.com Right-click and save to download the video here: www.ithacaaudio.com
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The details are, that I’m using a Dean (Z Model) With Dimebucker, and a Jackson with EMG passive pickups. I’m running my guitar through my Roland Cube 30 which goes into my audio in on my mac, which is running Ableton live 5.

Please share your thoughts, advice and experiances with me please. Thank you for taking the time to read this.

Best answer:

Answer by Franco
To start off, which program you are using to record (Live) is not too significant.

What is significant is what goes into it and how it gets there. To help you, I would need a few more details.

Are you happy with the tone you are getting from that guitar/amp combination? If so, is it losing something in the recording process?

How does the signal get into the audio input on your Mac? Are you connecting a line out from the amp or using a microphone?

A few thoughts come to mind:

1. The best guitar tones I have gotten in the studio have come from miking an amp. In order to do that, you would need an audio interface for the computer that has a good quality mic preamp. A decent dynamic mic, like an SM57 would be good to start with. Then you would basically crank up the amp, work on your tone ’til you’re happy, put the mic in front of the speaker and press record. Experiment with the distance between the amp and mic. It should be pretty close. Start around 1 foot away.

2. The built in audio input on the Mac is decent, but not really pro quality. It would also be very easy to overload. A separate USB or Firewire based interface, as mentioned above, would improve the sound and allow you the flexibility to adjust input levels.

3. At any heavy rock sessions I have been involved with, the guitarists used Marshall, Mesa, Fender or any number of pro level tube amps. While I’m sure a Cube-30 is a cool little amp, you’re going to have to work hard to get that type of sound from it.

I am not trying to discourage you or make you spend all your money on gear though. I encourage your efforts and suggest reading up on guitar amp miking and audio engineering in general. There is a lot of info out there.

Also, have a look at audio interfaces for your Mac. I like the Motu line. This one is compact, not too expensive and sounds great:

http://www.motu.com/products/motuaudio/ultralite/

It comes with recording software that is a bit easier to use for live recording than Ableton.

Best of luck to you.

peace

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