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Q&A: Software / hardware to trigger samples for live performance?

Saturday, June 11th, 2011

Question by That one guy: Software / hardware to trigger samples for live performance?
I am playing keyboards in a pit orchestra for an upcoming musical. I would like to be able to dedicate one synth to playing sound effects and “single-shot” effects like harp glissandi. I want to have each key on this synth trigger a different sound. I do *not* want to go the route of having all the samples “on board” that synth – I want to use a MIDI controller rather than a sampler synth. I can also use a laptop

I’m told that Ableton Live can do this, but I already have SONAR and don’t want to buy another recording studio program just to be able to trigger samples at the stroke of a key. Is there another program that can do this? (load all the samples into the laptop’s ram, assign them to MIDI notes, and it’s ready to go!)

Or should I get one of those handy 16-pad modules? (But there will be more than 16 samples… how long will it take to reload the next bank of sounds?)

Thanks!
Thog

Best answer:

Answer by Nicnac
It might be a bit too much for this particular use but as a musician who is into electronic music, you need to check out Max/Msp:

http://www.cycling74.com/products/max5

While it can be as powerful as using a camera to detect movement and tie into musical events, or even use mechanical switches for the same, you can ‘simply’ use a software object to listen for a note and trigger a series. Because it’s a graphical tool like Ableton, it’s very intuitive. Unlike Ableton, it was developed for Mac OS so it’s a lot more elegant for all it’s complex functions. Enjoy.

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Dr Dre’s HP Envy Laptop or Macbook Pro? For Producing? Live Performance? Which Ones Better?

Friday, May 27th, 2011

Question by Ourvais: Dr Dre’s HP Envy Laptop or Macbook Pro? For Producing? Live Performance? Which Ones Better?
I have a budget of about 1200 or so, Should I go with Dr Dres HP Envy Series (which is pc)
or go with the MacBook Pro?
or maybe a third party computer recommendation?
They Both Look nice and seem to have great specs im leaning towards the Envy Series but then again i hear so much good things about mac and how there reliable when it comes down to it, and that logic pro would be nice to look into, most of the envy series has intels new processors and the only macbook pro i think i could afford would have to be the ones with the old Core 2 Duo
I dont know much about Sound Cards nor do i know much about some other specifications, but i do know i need something that can handle live performance, for lets say using a midi controller to play a vst live without lag, not sure what spec that would fall under?
i edit music primarily with ableton live and reason and i carry alot of samples and music, and in the future i plan to use a laptop for djing as well

Best answer:

Answer by maggies96
definitly Mac

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Ableton Live Tips #10: DJ / Performance – Creating A Unique Setup (Dorian Concept)

Saturday, May 14th, 2011

More info – bit.ly In this Ableton Live video tutorial, we’ll explore some techniques inspired by two incredible conversations I had this past week. We will look at the creative possibilities of using the Simpler, some portamento, LFO, and delays, and we’ll also explore a great technique for crafting 8 bar drum patterns. First up, I had the great pleasure of catching Dorian Concept’s insanely inspiring set at Low End Theory last week. Dorian Concept is a Vienna-based producer who has developed his own completely original style of keyboard playing. He’s been tearing it up at Festivals around the world since bursting on to everyone’s radar with the massive tune “Vertical Output” a few years back. His latest release on Ninja Tune is called Her Tears Taste Like Pears, full of funky, synth driven club heaters. He often sits in live improv style with his friend Flying Lotus when they cross paths internationally, and his series of YouTube videos ‘Fooling Around With The MicroKorg, Alesis Micron, etc’ are straight jaw droppers. So I had the honor of chatting with him at length at Low End, and I thought I’d share some tidbits from our inspiring conversation. He shared some serious wisdom that would be helpful for any aspiring producer. Turns out he is not classically trained, and he’s actually completely self-taught. The great thing about what he has done, is that he has kept it simple and really mastered his instrument, developing his own unique style. With all the tools we have

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